Vintage original 3.5 x 5.25 in. German postcard depicting the very popular German silent film and sound era actor, WILLY FRITSCH.
He is depicted in a medium publicity shot wearing a tan suit with a boater hat and resting his hands on a cane. This postcard was signed boldly in black ink by Willy Fritsch in, we believe, 1926, the year in which he appeared in five silent films. Printed by the renowned Ross-Verlag company of Berlin, it is in very fine- condition.
*"Willy Fritsch (27 January 1901 – 13 July 1973) was a German theater and film actor, a popular leading man and character actor from the silent-film era to the early 1960s.
From 1919 he attended Max Reinhardt's drama school at the Deutsches Theater, where he debuted with small roles and played as understudy at times side by side with Marlene Dietrich (i.e. Spring Awakening). He made his feature debut in films as a supporting player in 1920's Miss Venus and got his first important engagement in His Mysterious Adventure three years later. In 1925, Fritsch gained international attention by playing the leading role in the silent film A Waltz Dream directed by Ludwig Berger. Afterwards he was offered a United Artists contract, but refused to move to the United States, being concerned about his limited English.
His career was pushed now through the UFA film company by being cast as a juvenile lover in silent comedies such as Chaste Susanne (1926), The Last Waltz (1927), Hungarian Rhapsody (1928), and Her Dark Secret (1929). Fritsch also starred in two silent films directed by Fritz Lang: the thriller Spies (1928) and the sci-fi film Woman in the Moon (1929), where he played serious characters. Again, these films gained him international success.
In 1929, he spoke the first sentence in a German talkie: "I'm saving money to buy a horse!" (Melodie des Herzens / Melody of the Heart, 1929)). Shortly after that, he was paired again with Lilian Harvey, whom he had already played together with twice during the mid-1920s. Their joint musical love comedy Waltz of Love (1930) was such a huge success that its producer Erich Pommer decided to continue making films with the "perfect couple" Harvey/Fritsch. Thereupon, they appeared regularly together in UFA movies such as The Three from the Filling Station (1930), Congress Dances by Erik Charell (1931) and A Blonde Dream (1932), but Fritsch was also playing in several movies at the side of Käthe von Nagy (i.e. in Billy Wilder's screenwriting debut Her Grace Commands, 1931 or I by Day, You by Night, 1932)."
*(source: Wikipedia)
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